Comments on: Mitchell Feinberg http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/?utm_source=rss&utm_medium=rss&utm_campaign=mitchell-feinberg Tue, 24 Jan 2012 23:51:46 +0000 hourly 1 http://wordpress.org/?v=3.3.1 By: Crystal http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-64883 Crystal Sun, 28 Mar 2010 03:56:55 +0000 http://www.todayandtomorrow.net/?p=4333#comment-64883 I think if the same concept and process is used and you acknowledge the original artists but create ur work using a different subject matter that you are merely expanding on the process and exploring it further... I agree that the other artist creating pretty much the exact same thing is lousy but i think this would be a great concept to expand and work on. Think instead of handbags and clothes doing the same thing the fossils idea with other everyday house hold items that may be in many years to come replaced with something that looks completely different therefore creating a fossil of it now and thinking what people in 500 years would make of it is quiet interesting. I think if the same concept and process is used and you acknowledge the original artists but create ur work using a different subject matter that you are merely expanding on the process and exploring it further… I agree that the other artist creating pretty much the exact same thing is lousy but i think this would be a great concept to expand and work on. Think instead of handbags and clothes doing the same thing the fossils idea with other everyday house hold items that may be in many years to come replaced with something that looks completely different therefore creating a fossil of it now and thinking what people in 500 years would make of it is quiet interesting.

]]> By: The champions league of fashion photography « Stylecouch’s Blog http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-61173 The champions league of fashion photography « Stylecouch’s Blog Fri, 04 Sep 2009 08:23:15 +0000 http://www.todayandtomorrow.net/?p=4333#comment-61173 [...] via todayandtomorrow.com [...] [...] via todayandtomorrow.com [...]

]]> By: manson http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-61167 manson Thu, 03 Sep 2009 15:38:17 +0000 http://www.todayandtomorrow.net/?p=4333#comment-61167 Need someone to tell me that, thanks a lot Need someone to tell me that, thanks a lot

]]> By: manson http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-61166 manson Thu, 03 Sep 2009 15:35:06 +0000 http://www.todayandtomorrow.net/?p=4333#comment-61166 Is Jaime Chard an English? American? Or ...? Is Jaime Chard an English? American? Or …?

]]> By: David http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-58330 David Wed, 25 Mar 2009 17:23:28 +0000 http://www.todayandtomorrow.net/?p=4333#comment-58330 I saw the Jaime Chard photos, he's the original, Feinberg the cheap copy. I cannot believe they did that, how lousy is that???? I mean seriously, come up with your own ideas! I saw the Jaime Chard photos, he’s the original, Feinberg the cheap copy. I cannot believe they did that, how lousy is that???? I mean seriously, come up with your own ideas!

]]> By: Mary http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-55985 Mary Sat, 28 Feb 2009 01:38:54 +0000 http://www.todayandtomorrow.net/?p=4333#comment-55985 Totally a copy of Jamie Chard work, i mean exactly the same. Jamie work was all over print and web in 2008(surface, communication arts) and he knew and copy that anyway, and that's what he had to say on a recent interview: in the “Fossil” impressions story, I was thinking about accessories that are so iconic they have become part of our cultural memory; will someone browsing the magazine five hundred years from now be able to identify these fossils? I thought the concept would make for interesting photographs, a fun test for the reader, and I liked the visual pun The problem is that he's famous(feinberg) and Chard is not at his level and ppl in this business have a short memory. Shame, shame, shame Totally a copy of Jamie Chard work, i mean exactly the same.
Jamie work was all over print and web in 2008(surface, communication arts) and he knew and copy that anyway, and that’s what he had to say on a recent interview:
in the “Fossil” impressions story, I was thinking about accessories that are so iconic they have become part of our cultural memory; will someone browsing the magazine five hundred years from now be able to identify these fossils? I thought the concept would make for interesting photographs, a fun test for the reader, and I liked the visual pun
The problem is that he’s famous(feinberg) and Chard is not at his level and ppl in this business have a short memory.
Shame, shame, shame

]]> By: Mitchell Feinberg | Human Resourcesâ„¢ - a source of visual and aural inspiration http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-47664 Mitchell Feinberg | Human Resourcesâ„¢ - a source of visual and aural inspiration Mon, 22 Dec 2008 14:48:18 +0000 http://www.todayandtomorrow.net/?p=4333#comment-47664 [...] these photos for Muse Magazine by Mitchell Feinberg. By the looks of things they are impressions into corn [...] [...] these photos for Muse Magazine by Mitchell Feinberg. By the looks of things they are impressions into corn [...]

]]> By: Picdit » Blog Archive » Imprinted Objects - Mixed Bag of Pictures http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-38415 Picdit » Blog Archive » Imprinted Objects - Mixed Bag of Pictures Mon, 27 Oct 2008 14:31:52 +0000 http://www.todayandtomorrow.net/?p=4333#comment-38415 [...] Mitchell Feinberg is the photographer responsible for these great images for Muse Magazine. I would really like to know how they faked these imprints. (via today and tomorrow) [...] [...] Mitchell Feinberg is the photographer responsible for these great images for Muse Magazine. I would really like to know how they faked these imprints. (via today and tomorrow) [...]

]]> By: mike http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-37711 mike Thu, 23 Oct 2008 13:47:41 +0000 http://www.todayandtomorrow.net/?p=4333#comment-37711 Yes. Jaime Chard's was done in 2007? http://surfacemag.com/agp/ Michael Tompson in 1993: http://hastedhunt.com/photos.php?a=michael_thompson&i=57696 & Cartier has played with imprints also: http://www.julianmeijer.com/photographers/gissinger/17 Yes. Jaime Chard’s was done in 2007? http://surfacemag.com/agp/

Michael Tompson in 1993: http://hastedhunt.com/photos.php?a=michael_thompson&i=57696

& Cartier has played with imprints also: http://www.julianmeijer.com/photographers/gissinger/17

]]> By: today and tomorrow - pieter http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-37710 today and tomorrow - pieter Thu, 23 Oct 2008 13:20:44 +0000 http://www.todayandtomorrow.net/?p=4333#comment-37710 Similar? I would say it is more than just similar. Similar? I would say it is more than just similar.

]]> By: mike http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-37708 mike Thu, 23 Oct 2008 13:12:40 +0000 http://www.todayandtomorrow.net/?p=4333#comment-37708 Cornstarch or flour? Similar shoot here for Surface magazine: http://www.jaimechard.com/images%20pages_folder/060821CHARD.Surface[Chanel].html Cornstarch or flour?

Similar shoot here for Surface magazine:

http://www.jaimechard.com/images%20pages_folder/060821CHARD.SurfaceChanel.html

]]> By: inan http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-37680 inan Thu, 23 Oct 2008 07:57:09 +0000 http://www.todayandtomorrow.net/?p=4333#comment-37680 I was gonna say, looks like cornstarch I was gonna say, looks like cornstarch

]]> By: Sean http://www.todayandtomorrow.net/2008/10/22/mitchell-feinberg/comment-page-1/#comment-37605 Sean Wed, 22 Oct 2008 19:10:41 +0000 http://www.todayandtomorrow.net/?p=4333#comment-37605 It's pressed into cornstrach. It’s pressed into cornstrach.

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