DataBot Mouse is very interesting experiment by Jan Barth and Roman Grasy. They’ve developed a computer mouse which can give data physical properties, to make the communication/interaction between man and data more human and easier to understand.
The mouse is able to communicate three different properties of data. It can show you the weight of files and folders, by braking with different force, according to the file-size. Or you can set a custom weight for files, just like the color marking function in MacOSX. So you can find important files more easily.
The third property, the mouse can show you, is the activity of files and folders. By “breathing” with different intervals, it shows how much a file was opened or how busy a folder has been recently.
I don’t know what to say about the house called “Lucky Drops”. It was designed by Atelier Tekuto and its name is the equivalent to Japanese old saying ‘the best for last’. You can find more photos and information at ArchDaily.
Receipt Racer is a microproject by undef and Joshua Noble. It a simple game which they developed during the “Let’s feed the future workshop”, part of the OFFF Festival in Barcelona on June 8th 2011. The goal of the game is to drive a car on a race track and to avoid the obstacles. The game is self was made with openFrameworks. The design of the race track was live printed on a thermal receipt printer and the car was beamed on top of that. A very simple game very well executed!
I guess everyone knows by now that I’m a huge fan of Japanese architecture. So here’s the next one: House M by Jun Igarashi Architects. It does look more to a livable sculpture to me than a real house. Can someone explain to me why it doesn’t have any windows and just ceiling lights? The neighborhood isn’t really nice in this case, but doesn’t they want to look outside?
photos by Sergio Pirrone
Venus in Sequins is a wearable artwork collection by The Rodnik Band. Each piece is a couture artwork inspired by famous artists and limited to 5 pieces each. Here are my 3 favorites: Duchamp, Warhol and Van Gogh. Especially the Duchamp dress is …
Ora-Ïto is a French designer who made his name back in 1999 with the Hack-Mac and the Gucci Villa. His designs were soo different. His portfolio quite evolved since then. Last April he presented the Mutations exhibitions during the furniture fair in Milan. He designed a spaceship and a sedan chair for car manufacturer Citroën. I must say that the spaceship called “UFO” really tinkled my fancy. It’s based on the classic icon the Citroën DS.
“3 Dreams of Black” is a new interactive film directed by Chris Milk for the song “Black” by ROME, a music project by Danger Mouse & Daniele Luppi featuring Jack White & Norah Jones. The project is a Chrome Experiment that showcases some of the latest web technologies like WebGL in modern browsers like Google Chrome.
Not only can you interact with video, you can also add your own items to the dream or see what others have build. For those of you who want to know the technical details: this page will keep you busy for a while. The model view and the demos are just as impressive. Aaron Koblin was the creative director of this project and Mr.doob the technical director and of course a bunch of really talented people. You might also want to check out “The Wilderness Downtown“, a project with many people who were also involved in this one.
It’s been a long time since I’ve been that blown away by a web technology. So if you have the latest version of Google Chrome installed and a pretty decent graphicscard, go ahead and be …
This must be the craziest credit card holder I’ve ever seen,it’s part of Maison Martin Margiela‘s 2011 Spring Summer collection. It’s made of plexiglass and if you want to buy one you’ll have to cough up €680. Fascinating!
Visible Structures is a series of 12 pieces of furniture designed by Nendo. They are made from foam core that is reinforced with industrial strength carbon tape. Those strips of tape are the visible structure but also a graphical element. I’m really tempted to try this out myself.