28 Years in the Implicate Order
October 28th, 2009“28 Years in the Implicate Order” by Pascual Sisto. Awesome.
found at Rhizome
“28 Years in the Implicate Order” by Pascual Sisto. Awesome.
found at Rhizome
Erwin Wurm photographed Claudia Schiffer for the November issue of the German Vogue. The spread is called “Kunst Pausen” and these are my favorites images.




Here are the new sunglasses by BLESS from their N°39 Heart Ringers collection. This time they’ve used photoprints on the glasses and perforated them. These are still very weird, but I think they’re better than those Duo Fringe Glasses they had last summer.



This is the music video for Toive by Vladislav Delay. It was directed by Carolina Melis and Lorenzo Sportiello, crackmilk produced it. I must admit that the music is a little strange, but the video shots are very lush.





found at videos.antville
Elna Frederick is pushing it, real hard. Her latest piece: Uu. Place. It’s a 7.1MB animated GIF. Don’t blame me when your browser can’t handle it.
This GIF is just a short and small teaser.

Last summer, Felice Varini did this installation called “Cercle et suite d’éclats” in Vercorin, Switzerland. The scale of this point of view artwork is very impressive.






This canister is made of white marble by Alexander Seton. When you like this, you’ll love Fabio Viale his work.


found via Anthony
Plastic Moon is a house designed by Atelier Norisada Maeda, its a dental clinic, a living space and outdoor pool in one.







found at designboom weblog
Turning the Place Over by Richard Wilson was an installation commisioned for the Liverpool 2008 Biennial. He made an 8 metres diameter ovoid cut from the façade of a building in Liverpool city centre and made to oscillate in three dimensions. The revolving façade rests on a specially designed giant rotator, usually used in the shipping and nuclear industries, and acts as a huge opening and closing ‘window’, offering recurrent glimpses of the interior during its constant cycle during daylight hours.



photos by Sam the sham